Welcome to Emmy Experts Typing, a weekly column featuring Gold Derby editors and experts Joyce Eng and Christophe rosen discussing the Emmy race – via Slack, of course. This week, as “Hacks” wraps up its first season, we take a look at what has become a very competitive race for Best Comedy Actress.

Christophe rosen: Hello Joyce! We’re back and this time our fingers are ready to tap on what might be my sneaky favorite category at this year’s Emmy Awards: Best Actress in a Comedy Series, where our longtime favorite. Kaley cuoco is set to be overtaken in Gold Derby odds by beloved Emmy legend Jean Smart. For us, of course, that change has already happened: nothing against Cuoco’s incredible performance in “The Flight Attendant,” but Smart has the momentum, the narrative, and the role that seems anything but destined to put her in the spotlight. sides Betty Blanche in the Television Academy’s record book. We both won Smart here, but to provide full disclosure, I was admittedly a late convert to “Hacks”. Somewhere between “Mare of Easttown” and the Wawa Sandwiches, the HBO Max show started to dominate my Twitter feed as it has been for years. After you finally watch, however, it’s easy to see what it is. Smart absolutely owns the material like an old pro and his relationship and chemistry with Hannah einbinder only improves the performance of Smart. In some ways, this category looks like Best Actress in a Limited Series: The young upstart giving the best spin of her career on a fall 2020 show (Anya Taylor-Joy) being spoofed as the vote begins in earnest with a decorated veteran (Kate winslet). But is our recency bias visible? Will Emmy voters, with the glowing buzz of “Hacks” (and to some extent, “Mare of Easttown”) slightly toned down, go back and revisit Cuoco’s revealing play on “The Flight Attendant” and call back you love what deliciously-hates the character she created in Cassie?

joyceeng: Well, I hope everyone is constantly watching “The Flight Attendant” – I just converted my friend last week, but unfortunately she’s not an Emmy voter. I was so ready for Cuoco to sail to a well-deserved Emmy for his revealing work with Catherine o’hara out of the way – and let the record show it, I was a Cuoco Nut to this performance a long time ago, before it was predicted en masse – but I’m also a fan of “Hacks” (a Hackolyte ?) and as I kept watching I just couldn’t deny Smart’s master trick. The point is, they’re both extremely adept at handling comedy and drama on their respective shows with carefully constructed but effortless performances from two very different and imperfect women that you can’t help but support. I guess, maybe, it’s just a matter of personal preference. But something about Smart just seems right. The “mare” of it all – and this performance that also skews the comedy – certainly doesn’t hurt. Maybe everyone yearns for “Designing Women” and remembers how good she is at comedy. “Hacks” isn’t a huge hit like “Mare” either, but all the buzz would probably encourage others, um, voters to watch it. But we all know what happened the last two times Smart was favorite to win the Emmys. Are we going to hurt him again? Plus, although Cuoco is the younger half of this duo, she’s far from a newbie since, you know, she’s been on our TVs for almost 20 years, but she’s been overlooked in terms of awards. So, is it her time to, uh, do a big bang?

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Christophe rosen: There is certainly something revealing about the fact that Cuoco took him out of the park for years on “The Big Bang Theory” without ever getting credit for his talent – even in comedy, it seems. There has to be an added weight or freshness factor when it comes to reaping rewards. To be clear, I’d love to see Cuoco win: I think people may have forgotten how strong she is in “The Flight Attendant,” a comedic performance rooted in deep sadness and trauma. Cassie is an alcoholic mess prone to colossal choices, and Cuoco laughs a lot at her stunned reactions to strange situations. But by the time the show hit its final episodes, it pulled off the heavy dramatic stuff as well. Like you said, Smart also does well on “Hacks,” but maybe because it’s more unexpected from Cuoco, it will help its cause. Another crazy theory I could convince myself of: what if Smart somehow shares his own votes? Is it possible that some Emmy voters will find her work “Mare” more worthy of accolades and place her at the top of their ballots in the Best Supporting Actress in a Limited Series or TV Movie category, paving the way? for Best Actress in a Comedy for Cuoco? If enough people were doing this, would it help our intrepid flight attendant, uh, uh, skyrocket? (Yeah.) And while you’re answering that, is it possible that we’re sleeping on the Wickie of it all and Renée Elise Goldsberry rush in as an outsider and win?

joyceeng: There’s an element of “Wow, I didn’t know she had that in her” about Cuoco, which is kind of a backwards compliment. And there are certainly people who confuse her with Penny. One final little note on “Big Bang”: It might not have been as “cool” as other shows, but what she and the cast did week after week is not to be sneezed at – everything not everyone is cut out for being in a sitcom. . As for Smart, there’s nothing stopping people from voting for her to win in both categories if they like her that much. We are in Smartaissance after all. But I think her “Hacks” round is accepted as the “best” and she will probably have an internal “Mare” competition with Julianne Nicholson as well as. But, yes, I too would love to win Smart or Cuoco – or Goldsberry. I’m currently in the middle of a “Girls5eva” rewatch and the high I got from watching her spin absolutely hilariously the first time around didn’t subside. If voters give priority the comedy, Goldsberry has it in spades. My only concern is Peacock’s profile or lack thereof, but they certainly go out of their way the countryside. But is it enough for REG to serve a “cease and desist, bitch” to Smart and Cuoco? And speaking of cease and desist, Jane levy was already on the sidelines of a nomination, but do you think the cancellation of “Zoey’s Extraordinary Playlist” will help or hurt her?

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Christophe rosen: I still have Levy among my planned nominees, with Smart, Cuoco, Goldsberry, Allison janney, and Tracee Ellis Ross. But the cancellation is worrying, and I wonder if it will end up being canned. It’s a pretty deep category: I could argue Maya erskine of “Pen15” (although I still wonder if this show is “too weird” to break through), Lena waithe for “Master of None” (although, as we discussed this week, is it even a comedic performance?), Hailee Steinfeld for “Dickinson” (I would love to see this series crack the Emmys, but I don’t know if Steinfeld will be recognized), or even Lily collins (I know I know). But if Levy isn’t on the list and the other five women are relative locks, might I suggest Cristin Milioti for “Made for Love”? It’s yet another show from HBO Max that draws the line between comedy and drama, and it’s yet another tour de force from Milioti. She was so good in “Palm Springs” (I’m still upset that the movie wasn’t a serious Oscar contender) that I could easily see Emmy voters pushing her to the list in recognition of her professional rise over the course of the year. ‘last year. What do you think? Who do you have to complete this category?

joyceeng: I have Ross, Levy and Waithe, the eternal nominees, the last of which I joined before watching the third season of “Master of None”. I haven’t made any changes to my bottom half yet because, like you, I can argue for a number of people. I love Milioti, who has earned some recognition since being the best part of the last badly spawned season of “How I Met Your Mother’s”. But her performances on “Fargo” and “Black Mirror” haven’t given voters anything so far and I’m not sure “Made for Love” will be the one to break the duck no matter how good she is. . This show reminds me of “Run” last year in that there were expectations for them before the premiere, but for some reason the two just didn’t land. No, this is not a “flight attendant” pun. But it’s a perfect streak to say that HBO Max already has “The Flight Attendant” and “Hacks,” so “Made for Love” wouldn’t even be a # 2 priority for them. Janney might make a comeback, but they seem to be above “Mom,” not that they’ve ever been above Janney. “PEN15” got a writing nomination for its first season, so we know it’s on the writers’ radar and that of Hélène Mirren. And who can turn down multiple nominations for Helen Mirren’s favorite show?

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